November 27, 2019

The importance of great content as Google, Facebook and the rest keep eyeballs inside their walled gardens.

There's been a noticeable rise in chatter around the push by 'Big Tech' to keep users inside their own ecosystems with more and more internet searches and activity ending without a click.

It's interesting to see that now more than 50% of Google searches end without a click. Google search provides on-page content such as Wikipedia synopsis, shopping options, website scrapes, movie times, maps and directions etc, all within the first page of search without the need to click. The change has been gradual and subtle. Of course, when it comes to video, Google will promote YouTube as the one place they are happy for you to click-out to.

It's incredible to look at the most recent 'Internet Minute' chart for 2019, there are actually more YouTube videos watched in a minute than Google search queries made.

Likewise, Facebook is also on a mission to keep people inside their environment for longer. Recent statistics show that time spent using Facebook has remained stable over the last few years even as more social platforms and niches have emerged. Examples include Facebook Watch, Facebook Marketplace, the raft of publisher and media deals and incredibly 43% of users now get their news from Facebook.

This is all making the challenge for companies and their brands even greater - how to still provide meaning, sales and loyalty in a constantly shifting online environment. Will clicks to websites and 'owned channels' become a thing of the past as online behaviour begins to change? For sure, ensuring a well planned and executed creative content strategy which performs specific marketing functions and which ultimately delivers on business objectives becomes ever more important.

August 12, 2019

Three of our favourite marketing podcasts right now.

With the sheer amount of podcasts out there right now we thought we'd share three of our favourite marketing podcasts.

The Content Marketing Institute have brought back their regular podcast. It's a fantastic resource for anyone in marketing, advertising, content marketing, media or social media. Joe Polizzi and Robert Rose originally coined the term 'content marketing' to describe the ability for brands to generate and produce their own content to fuel brand storytelling and marketing objectives. They discuss the latest developments in the world of marketing and also provide opinion, insights, strategy and case studies - worth checking.

Face 2 Face is a home grown Australian podcast. Each episode discovers how Aussie marketers and creatives from the likes of Spotify, Volkswagen, Kathmandu and Telstra are using digital and social media platforms to succeed in a connected world. We collaborated with Facebook, Wooshkaa and Clear Hayes to develop the series which became the number 1 business podcast in Australia. With in depth interviews with some of our industries leading and most innovative brands along with real life insights the series is well worth a listen (well of course we would say that ;-). The Now We Collide team led creative development for the series as well as design and production of the go-to-market materials including video, email, digital and print assets.

The eMarketer Behind The Numbers podcast is great for getting a quick hit of the latest global news and trends from the world of digital media and marketing and how digital is transforming business. They cover all the big stories and emerging trends using eMarketers research and data pedigree. Episodes feature global leaders in their field to provide strategic insights and opinion on the implications of emerging trends and developments for business.

December 11, 2018

YouTube, Netflix and making of John Lewis’ Christmas TVC

YouTube have made another big move into 'social video' launching a new Stories feature for creators with over 10k subscribers. Following the huge success of Instagram Stories (er…sorry, Snap) it was only a matter of time before the YouTube team launched their version. Using FashionByAlly (who has almost 1million YouTube subs already) as an example of how stories can be created and shared. It will be interesting to see the options this will present to brands and businesses both natively and through advertising. With Facebook Watch now offering in-stream ads and the growth of Instagram Stories and IGTV, YouTube clearly see the threat to their revenue and it will be fascinating to see how this one plays out.

An eye-opening article from the team at Venture Beat which highlights the power of YouTube for attracting new eyeballs in emerging markets. In India this means YouTube reaches 245 million unique active viewers each month and a further 74 million in Indonesia. That's phenomenal numbers and shows how digital video is becoming a regular part of the lives of audiences in emerging markets - and presents challenges for both incumbents and new entrants like Netflix alike who see these markets as the future of their growth - read the full story here.

Not only the traditional ad-world but also the wider viewing public was a-buzz recently with the anticipated launch of John Lewis 2018 Christmas commercial. It proves that when 'advertising' is done well it can entertain instead of annoying audiences, with the spot already having 11million+ views on YouTube - hats off to John Lewis and the team for investing over the long term. For all the nerds out there, check out the 'Making of The Boy and The Piano':

August 24, 2018

News Colliding This Week. 24th August

Vertical video has been growing in popularity for a number of years along with the rise of in-app video viewing and sharing on mobile. Snapchat was no doubt one of the pioneers of the format and they have continued to stick with it, while Facebook and Instagram have joined in with 'Stories' and Instagram's latest product IGTV. This is primarily being driven by the growing number of consumers now using their phones for their daily video consumption. TheVideoInk provides an interesting look into Vertical Networks, launched by Elisabeth Murdoch with a focus on producing short-form video for mobile devices, and their "data-driven content strategy".

Talking of mobile video, reports that Tesla is adding Atari games to the in-car display have been followed up with confirmation they are poised to bring in-car video to their next software update via an Elon Musk Tweet claiming that video playback will be available with "version 10" of Tesla's car software.

An interesting article from Variety on the journey Netflix has undertaken from DVD postal distribution company to the world's leading OTT entertainment company - "Netflix’s original-content push took off in earnest on Feb. 1, 2013, with the debut of “House of Cards.” Five years later, the streaming service has grown to the point where it is projected this year to deliver more than 80 new feature films (original and acquired) and an astounding 700 new TV series."

The campaign which caught our eye this week if the Smirnoff US campaign developed by 72andSunny with clever use of the media as the message using Ted Danson and a dash of humour to call attention to YouTube's 6 second bumper formats. It feels like Smirnoff missed a trick by not integrating the campaign across any other channels with no thought for extension across their website or other social channels.

August 17, 2018

News Colliding This Week. 17 August

Spotify and Samsung announced a new partnership whereby the music-streaming leader would become the new "go-to music service provider" for Samsung devices. Interestingly, Apple recently overtook Spotify as the number 1 music streaming service in the US and this obviously presents a challenge for Spotify. At the same time YouTube recently launched their revamped YouTube Music App offering 1 month free and then ongoing subscription for $11.99 per month. Samsung has been using Google Play as the default music partner on all devices, until now. In this sense the partnership makes a lot of sense, particularly as Spotify tries to increase it's presence in Asia. Samsung is the largest maker of mobile devices with 30.7% of the global mobile market, with Apple second at 19.4%.

UK AR company Blippar has launched a version of their AR experience which can map urban and indoor environments to within 1cm, providing a user with overlaid maps, navigation or other AR components for the mapped territory, or the application components can be embedded into other apps. The company suggests a wide range of potential environments for this platform, including retail stores, supermarkets, airports, shopping malls or stadiums. Use cases include AR menus floating in front of restaurants in shopping malls, reviews or product info hovering over products on shelves, treasure hunts or a virtual guide for tourists.

More and more startups are emerging offering decentralized social platforms—often using blockchain technology.  The main purpose of these new platforms is to reward users and content creators and not only the platform owners. Angel List has highlighted what they see as the 2 most promising - Steemit and Sapien. Built off the Steem blockchain, Steemit is a Reddit-esque social platform that as of now boasts nearly 800,000 registered users. Steemit’s version of upvotes, however, are tokens that hold real market value. Users—not advertisers—are rewarded for engagement. Sapien is a social news network built on the Ethereum blockchain that already has thousands of active users. The platform features a global reputation system, a reward system for users, and a marketplace for creators. While Facebook isn’t going anywhere anytime soon, these new decentralized social media platforms are growing—and fast. 

This week Audi launched the first of a series of 3 big budget Hollywood style trailers from the creative team at BBH in the UK. Watch the Video: Audi Technology - Escape (Extended Cut).

August 9, 2018

News Colliding This Week. 9th August

Some of what we're reading, listening, watching this week...enjoy!

Ever heard of NewTV? Well they just raised a cool US$1bn to fund their plans to create a new short form video content platform, a kind of next-generation Netflix, with original content. NewTV is aiming to launch by the end of 2019, with a premium lineup of original, short-form series comprising episodes of 10 minutes each. The brainchild of ex Pixar exec Jeffrey Katzenberg has attracted investment from Disney, NBCUniversal, AT&T and more. Read Jeffrey Katzenberg’s ‘NewTV’ Startup Closes $1 Billion, All Major Studios Among Investors

At the same time as OTT's are planning short-form narrative content development, social media networks are taking an aim at longer form video. eMarketer and their podcast series 'Behind The Numbers' explore how long-form video is spreading across social media in this week's episode. With key moves by Facebook's Watch, Instagram's IGTV, YouTube Premium (previously YouTube Red (RIP)) and Twitter this episode is a great update on all the key developments and moves being made and how video content strategy is leading to advertisers. With some marketers placing pre-roll and mid-roll ads in social shows, there is great potential but the audiences are small and the current measurement capabilities are limited. Listen to eMarketer social-networks-get-serious-about-tv-style-programming

In-case you missed it, Apple became the first company in US history to be valued at over US$1 trillion. According to Bloomberg, iPhone sales continue to be the engine room of Apple profitability with iPhones generating 61 percent of the company’s sales in its last fiscal year, up from 56 percent in 2014. We can't help thinking the iPhone is unlikely to be anywhere near 50% of sales 10 years from now with Apple's push into AR, AI (Siri and HomePod) and even mobility with the company doubling the amount of cars it is testing since Jan 2018.

And talking of AI, The Wall Street Journal is reporting that robots are now making burgers in San Fransisco, "11 thermal sensors lock in the exact doneness" apparently. Watch the video here.

July 31, 2018

News Colliding This Week. 31 July

A weekly round up of what we're reading and watching - enjoy!

Twitter haven't given up on video just yet. TheVideoInk reports that Twitter is adding to it's video offering in an effort to bolster it's video credentials. Live and on-demand video deals have remained a major focus for Twitter and has in part led to half of all Twitter revenue coming from video. Read the full article - Even Without a Dedicated Live Stream Team, Twitter is Still All About Video

eMarketer released new figures showing the shift from PayTV towards OTT and other cord-cutting services has continued to gather speed in the US accelerating beyond most forecasts. The latest figures show the number of cord-cutters—adults who have ever cancelled pay TV service and continue without it—will climb 32.8% this year to 33.0 million. Read the full article - Exodus from Pay TV Accelerates Despite OTT Partnerships.

Facebook Australia launched their latest thought leadership video and podcast series, Face 2 Face. The series discovers how industry leaders from KPMG, TBWA Melbourne, Optus, Velocity Frequent Flyer, Host/Havas, Guzman y Gomez, AFL and Initiative are building brands in the digital age. The series uncovers key insights for how brands should be adapting for mobile, how has creativity changed, how to build a brand on mobile, and how marketers can engage customers in a meaningful way. Watch the full video series here.

A recent report from Marketing Land shows that Instagram ad spend has grown 177%, outpacing Facebook growth, while YouTube advertisers spent nearly triple what they did last year! Instagram audience growth also continued, helped by Stories, and they'll be counting on this continuing with the recent launch of IGTV. The biggest news though was that YouTube ad impressions rose 225 percent, and CPMs fell by 11 percent. Phones and tablets accounted for 79 percent of YouTube ad spend during the second quarter of this year — up from 71 percent a year ago. Read the full article - Facebook takes a back seat to Instagram as ad spend on the Facebook-owned app grows 177%

Paramount Pictures launched Mission Impossible: Fallout with a nice 360 video featuring Tom Cruise perilously dangling from a helicopter, fair enough, Cruise apparently went through 2,000 hours of training in order to shoot the scene. Watch the full video here. 

And finally, we're loving the thought of taking our own private autonomous flying taxi next time we have a meeting. This TED Talk from Rodin Lyasoff, Chief Executive Officer at A³ by Airbus suggests the dream may not be too far from reality! Watch the video - How autonomous flying taxis could change the way you travel.

June 26, 2018

Facebook kicks off major national ad campaign

Facebook is rolling out a major advertising campaign across Australia in an attempt to reassure users that the platform can be trusted and will do better.

The national Here Together ad initiative, created in-house, addresses issues of online safety, privacy and the brand's integrity.

Launching in Australia today across out of home, digital, TV and cinema, the eight-week campaign is intended to restore trust in Facebook, informing users about its efforts to combat fake accounts, data misuse and fake news – all of which the social media platform declare are “not our friends”.

This creative will also feature six-second animations.

The promotional crusade follows its recent data calamity with Cambridge Analytica, a rise in fake news and calls for the platform to be more transparent and open.

Managing director of Facebook Australia and New Zealand (ANZ), Will Easton, says: “We've listened to what Australians expect from us, and they expect action.

“It is our responsibility to make sure Facebook is a place where everyone can stay closer to the people they care about, and to make sure it's a positive force in the world.”

Speaking to AdNews, Facebook ANZ head of marketing Alexandra Sloane explained how the in-house creative team in the US developed the original asset, and locally it carried out research and engaged with its content agency, Now We Collide, to create the end result.

“We really understood what Australia and our community needed from us in terms of an update on ways we're going to improve the experience of our platform,” Sloane says.

“Through a mixture of Australian user-generated content, as well as live action shots, we localised the Australian community that we are representing. Also, the script and voice-over are addressing particular research insights we uncovered.”

The video spots remind viewers why most engage with Facebook in the first place – as a portal to connect with family and friends.
“Then something happened,” the ad voiceover says. “We had to deal with spam, clickbait, fake news and data misuse.”

Facebook head of communications Australia and New Zealand, Antonia Sanda, tells AdNews that local research, both qualitative and quantitative with focus groups, was at the heart of the campaign.

“It’s very much focused on meeting the needs of the Australian community, absolutely,” Sanda says.

Sloane says a lot of the insight Facebook got from Australian consumers was that they wanted to hear about the actual updates and about the action steps it was taking around key areas.

As a result, it has also launched a new landing page to accompany the campaign, as a resource that pulls in all the updates in one place. Sloane says this gives users “a sense of how we're changing – how we're doing better and taking that broader sense of our responsibility”.

From there, its media agency Mindshare came onboard, with its CEO Katie Rigg-Smith explaining why they chose certain marketing channels.

“The out of home campaign is focused on eye-level, longer dwell time formats across street furniture and transit to deliver more detailed information on how Facebook is changing,” she says.

“While cinema will be used to celebrate the 60-second creative in a highly engaged environment.”

Sloane adds that the whole campaign is really about starting a more meaningful and open relationship with Australians.

“We have to start by being more open and transparent with our community, and acknowledging and listening first of all, and then addressing the things that are important to our community head on,” she says.

“And so we hope that we've not just acknowledged the broader responsibility that we have, but that we're also demonstrating action that we're taking.” 

March 15, 2018

Reach consumers who searched on Google…on YouTube

It sounds like a no brainer but now Google has provided a direct relationship between search on Google and video delivery on YouTube for advertisers. At the recent Search Marketing Expo - SMX, Google announced a number of updates to YouTube which provide greater evidence of their focus on video at the heart of internet search as a way to connect brands, products and services to audiences (and that means customers).

Allowing advertisers to reach (and if done correctly, engage) people on YouTube who have recently searched on Google, the new innovation called "custom intent audiences" harnesses Google's vast amount of search information and is currently only available within the AdWords experience. By fusing the data collected in search with audience information and search terms on YouTube, custom intent audiences can be "an effective way to move undecided customers to action using the persuasive power of video." according to the Google annaouncement. 

This presents a really interesting opportunity for brands to develop an integrated digital strategy using the power of video to build brand and/or product awareness, brand affinity and product features and benefits in an engaging way. Used in the right way it is clear that this can compliment and increase the performance of SEM and digital marketing campaigns. Particularly in hyper competitive categories such as travel, finance, auto, ecommerce and beyond, a well thought-out strategy to connect with audiences based on historical search behaviour across Google to deliver relevant and timely video content could significantly drive enhanced outcomes for not only awareness and brand building but also customer acquisition.

Google highlights a case study of online investment company Betterment who used custom intent audiences to reach YouTube viewers who recently searched for financial keywords on Google. The brand increased its return on ad spend 6X compared to previous YouTube campaigns, and saw a 245% increase in searches on, including their brand term: "Betterment". Of course Google would like everything to stay within their ecosystem but in reality the power of social media content to also assist with SEO, customer engagement and acquisition means that a multi-channel social video content strategy would also contribute significantly to overall results and maximise the ROI of video content. This also provides a way for savvy marketers to prove direct results of an integrated digital marketing strategy with video at the heart. 

One issue this also highlights is the need for specialist video content experts with a deeper knowledge and understanding of not only the different platforms available but also how video and content creative needs to be optimised for these platforms and the different opportunities to maximise ROI within them. It also highlights the need for multi-disciplinary teams to work collaboratively, in this case the SEM specialists working alongside video & content strategy and creative as part of a wider digital content strategy. It will be interesting to see which brands take full advantage of this new feature as Google starts to roll it out globally.

March 5, 2018

Vimeo Offers ‘Video Everywhere’

Video sharing website Vimeo this week launched some new functionality offering creators, brands and publishers the ability to upload and instantly share 'natively' to social (video) platforms, YouTube and Facebook. 

Vimeo was founded in 2004 and has always had a focus on the more artistic, creative and storytelling aspects of video content. Vimeo was the first to offer HD video sharing and now offers 4k Ultra HD as part of a commitment to 'Host videos in the highest quality possible'. With more than 70 million members in 150 countries, the Vimeo CEO recently announced a target of 1 million paid subscribers and $100 million in revenue in the next 12 months.

Part of this push for more revenue is offering tools and features which appeals to a wider audience. The new sharing feature is pretty nifty too - once a video is uploaded to your channel, within the 'Basic Video' settings simply click on the 'Share' button and hit 'Publish To Social'. You are then able to share to any of your connected social media accounts in the respective platform's native video form. As Vimeo themselves say "we want to do everything we can to help your videos get seen by the masses. That's why you can now publish videos natively to Facebook and YouTube (with more on the way), right from Vimeo. It's not just a time saver, it helps your videos rank higher on those platforms and reach more people". Happy sharing...

February 16, 2018

Media & Tech Predictions For 2018

2018 is in full swing and gathering pace at breakneck speed - Mark Zuckerberg has already promised a new and improved Facebook experience for users but is giving brands the cold shoulder unless they advertise, Twitter has announced it's first ever profit, Aussie retailers are getting busy fending off Amazon, and Apple is about to become the world's biggest investor in original content with $8.3bn outstripping Netflix measley $7.5bn-$8bn.

Our only prediction for 2018 is that more change is inevitable and to be prepared for the unexpected - aside from that we thought we'd share one of our favourite commentators - Proff Scott Galloway from L2Inc - and let him put his neck on the chopping block on our behalf - enjoy.

November 15, 2017

ESPN Partner With Now We Collide

ESPN Partner With Now We Collide And Launch New Brand Playbook ‘It’s Your Prime Time’

In a competitive pitch Now We Collide have been chosen as the lead creative and content agency for ESPN Australia going into 2018.

The announcement follows successful project based work from Now We Collide which has contributed to the biggest year on record for ESPN in Australia, with audience growth across both broadcast and digital channels - a massive 21% increase in TV ratings so far this year, while the ESPN Digital Network audience has surged to reach 2.6 million unique visitors a month.

With ESPNS’s focus on creating high quality content and getting it in front of fans - all devices and screens and with sports now being 24/7, ESPN is redefining what Primetime means to their audience.

Now We Collide developed the creative and content strategy which speaks to this new way of consuming content and appeals to a younger and more ethnically diverse audience than those of traditional sports broadcasters. Using bespoke research and audience insights as a foundation, the integrated creative provides a distinct positioning for ESPN across all brand assets including TV & digital - social video templates and content, EDM, digital display, print and out of home media as well as the establishment of a brand campaign playbook for ongoing campaigns.

“We worked in close collaboration with Now We Collide, every step of the way, and their clear understanding of our audience and our brand position in Australia has led to a longer term commitment from ESPN to the agency. They are the perfect fit for us at this time” Says Patrick Bour, Director of TV and Marketing at ESPN.

Chief Creative Officer for Now We Collide, Ryan Bodger said, “ESPN gave us the ability to highlight our deeper understanding of the ESPN audience and the need for a more unified and personalised approach in the multi-channel world of sports entertainment. We used this to develop standout creative while giving the fans ownership of ESPN embracing ‘Prime Time’ as their own.

“The most satisfying thing for us as an agency is seeing the success that ESPN is having through our collaboration. Audience numbers are consistently growing across owned and earned channels. The recent US Open coverage in September was a huge audience success with ESPN audiences up a massive 172% supported by integrated campaign creative, all consistent with the ‘It’s Your Prime Time’ playbook. With NFL and NBA seasons kicking off we’re looking forward to another big year ahead. It’s an exciting time for us as an agency.” commented Keir Maher Now We Collide CEO.

September 4, 2017

Generation V

Video has rapidly become the most powerful way that we have available for connecting with audiences.

It demands and attracts more consumer attention than any other medium with unrivalled ability to evoke emotion, communicate information and tell stories.

And whilst the "golden age of video" is in full swing - it still represents the biggest growth opportunity for brands to build audiences and harness them to build brands and sell products. 

Scientifically we know that 90% of information transmitted to the brain is visual. And that visuals are processed by the brain 60,000 times faster than text. Given people spend one third of their time online watching videos there is huge potential here. Between Snapchat (10 billion), Facebook (8 billion), and YouTube alone (4 billion), there are 22 billion daily video views.

Of all the video platforms available, YouTube is the most regularly used platform for Gen Z cited by 84% of respondents in a recent Accenture study.

The stats are compelling:

Video is projected to claim more than 80% of all web traffic by 2019.

Mobile video traffic expected to increase at a 50% compound annual growth rate through to 2021.

Between Snapchat (10 billion), Facebook (8 billion), and YouTube alone (4 billion), there are 22 billion daily video views.

A third of all the time people spend online is dedicated to watching videos. 

64% of customers are more likely to buy a product online after watching a video about it.

87% of online marketers  are currently using video content in their digital marketing strategies and 65% of marketers plan to increase their mobile ad budgets to account for video.

7 out 10 Millennials are likely to watch a company video when shopping online.

With access to the tools of production and distribution now almost ubiquitous many brands, big and small, are taking advantage with great results. However, it is the rigour and around content strategy, creative strategy, selecting the right tools of production and distribution which separates the ok from the great.

To get more information on how the best brands are using video led campaigns and content to achieve results based business outcomes, why not drop us a line.

July 18, 2017

How Social Video Platforms Are Evolving In 2017

With the pace of change continuing across key video platforms, the shift in audience viewing habits across all demographics and particularly the shift to mobile, we are now truely seeing the rise of Gen V - the Video Generation. This has already hugely impacted the way media companies and brands attract and communicate with audiences with more change to come over the next few years. Here are some the main developments currently taking place, to get more detail on the key points simply hit the links:


  • 1.5 billion logged-in viewers visit YouTube every single month globally.
  • On average, YouTube viewers spend over an hour a day watching videos on mobile devices alone. 
  • YouTube is now the number 1 'social network' for Gen Z.
  • In a few weeks, an update to the the YouTube mobile app will mean video will dynamically adapt to whatever size users choose to watch it in. That means if they’re watching a vertical, square, or horizontal video, the YouTube player will seamlessly adapt itself, filling the screen exactly the way it should. If this works well it will only increase YouTube's dominance.
  • YouTube and Daydream have worked together to develop a new format, VR180, and new cameras, which make it easier and more affordable to make VR videos. This new format delivers 3-D video while capturing a 180-degree view. 
  • Recently launched social video app uptime - currently available in the US only but shows YouTube's intent to provide a direct answer to Snapchat and Instagram.


  • Now officially 2 billion people on Facebook globally.
  • Video on Facebook now plays with sound on automatically OR users can turn off sound in their app settings.
  • Messenger video chats have received a Snapchat-esque update with new features like animated reactions, filters, masks and effects, and the ability to take screenshots—available for one-on-one and group video chats. You can now share your emotions with a reaction, add a filter and even take pictures of your time together.
  • An update is coming to the Facebook Mentions creators app but there is no sign Facebook will start sharing revenue with their community of creators (unlike YouTube for example).



  • Snapchat daily active users grew from 122 million in 12 months to Q1 2017, an increase of 36% year-over-year. 
  • 3 billion snaps are created every day by Snapchat users, up from 2.5 billion in Q3 2016.
  • Introduced Snap Map which lets Snapchatters share their current location and updates with friends on a map when they open the app, but also displays a heat map of snaps from around the world.
  • Snapchat also introduced what it called it's biggest update yet in March 2017 - Limitless Snaps which allows snaps to play on a friends’ screens until users skip to the next snap by tapping on the right side of the screen or by closing the app. The time limit was lifted both from the snaps posted to a story and shared with friends directly via Snapchat. After a friend finishes viewing the Snap and taps to close it, Snapchat will delete as usual.


  • It's all been fairly quiet from Twitter on the video front having recently released a "new look" which included some navigations and icon updates plus the functionality that links to articles and websites now open in Safari’s viewer in the Twitter app so you can access accounts on websites you’re already signed into on IOS.
  • In late 2016 Twitter introduced live 360 video - when users see a video marked with a LIVE 360 badge, they can interact with it to change what they see by moving their phone or swiping the screen – all while watching live.

  • Sneaking up almost un-noticed, is an app for video creation, messaging, and live broadcasting. Launched in August 2014, lets users create 15-second to 1 minute videos and choose sound tracks to accompany them, use different speed options (time-lapse, slow, normal, fast, and epic), and add pre-set filters and effects. The app also allows users to browse popular “musers,” content, trending songs and sounds and hashtags.
  • Now has over 200 million users globally. 

April 19, 2017

A Video Led Campaign With Social At The Heart

We loved collaborating with UPI Australia and our tech partners ShareRoot to develop this integrated video led campaign with social at the heart for the release of The Secret Life of Pets. Hats off to the team at UPI for being brave enough to unleash the power of UGC - which, when planned and executed correctly, can deliver serious return on investment. The campaign proved such a success, including delivering a huge box-office return, the guys over at Marketing Magazine have published our campaign case study

January 3, 2017

Australian Retailers – The Battle For Video Views

As Australian retailers and shoppers plunged headlong into Christmas retail mayhem, Boxing Day sales frenzy and New Year buying meltdown we thought we’d take a look at who’s winning a loyal audience and who should be upping their game in this month’s multi-platform video analysis courtesy of our Tubular partnership – Tubular has data for 2.5B videos across 30+ platforms including YouTube, Facebook, Instagram, AOL, Daily Motion and more.

Coles took out number 1 spot in cross platform video views in November achieving a whopping 5.8 million views with former bed-fellow Myer in at number 2 with 5.5 million views.

Taking a deeper dive into the Coles numbers, their most watched video uploaded in November was a 15 second video optimized for social media entitled “Watermelon, meet Iceblocks! Here’s the coolest new way to eat watermelon.” which was viewed 1.1million times on Facebook across just 4 days from November 11th – 15th, garnering 14,000 Likes and nearly 3,000 comments and almost 6,000 shares (you do the Engagement Rate maths…). Coles have recognised and are tapping into the shareable nature of social style food vids pioneered by BuzzFeed Food.

In fact, 98% of Coles video views came via Facebook in November 2016 with the views shared across 8 videos and all of them were less than 15 seconds long, with of course accompanying ad spend. Interestingly in the same period Coles published 24 videos on YouTube achieving collectively only 129,000 views. On YouTube though the videos are much longer with many between 1-3 minutes long.

Coles strategy is clearly to achieve reach through social style videos on Facebook, realising the audience is less likely to stick around and watch anything longer than 15 seconds, whilst YouTube is being used much more as an engagement platform for longer form videos. To achieve these Facebook views would require a significant amount of paid activity - acknowledging that Facebook organic reach sits at around 10% (at best) and Coles has 1.1 million followers on Facebook, based on the average Engagement Rate (ER), to achieve 5.8 million video views across 8 videos would require significant paid investment.

Rounding out the Top 5 were Woolworths with 3.5 million cross platform video views, Harvey Norman with 2.4 million and David Jones with 1.9 million cross platform video views.

David Jones is interesting as it is the only retailer in the Top 5 which generated a significant amount of video views from Instagram. David Jones published 24 videos to Instagram in November generating almost 200,000 views with a mixture of influencer and social videos plus more traditional ads. David Jones clearly recognise the importance of Instagram as part of their content strategy for their audience and product range although the engagement rate for the videos on Instagram is fairly low across the board when compared to peers, something which could warrant further investigation.

When it comes to the big players in the retail category Facebook is clearly winning the battle as the platform for video views and, by default, advertising dollars over Christmas holiday period with the platform making up the large majority of video views ahead of YouTube and other social video platforms. The audience numbers and stats for Facebook are obviously there, but with recent rumblings about the way Facebook had overestimated their audience measurement and the fact that audience views on Facebook are measured at only 3 seconds for a view to “count” plus the fact that all videos are autoplayed in an ‘audio mute’ state vs YouTube for example where around 30 seconds is required for a view count and audio is ‘active’ on play, a more integrated approach to digital/social video content strategy and a deeper understanding of the platforms should always be the first consideration beyond just paid reach metrics of the traditional ad model.

November 22, 2016

Facebook Video Intelligence

This month as part of our regular video intelligence series we're taking a look at Facebook video: the top 5 Facebook Live creators, Facebook 360 video creators and overall Australian Facebook video creators.

It's interesting to see that the Australian Ballet scored over 1 million views with the live video launch of their 2017 season. At first you might assume that they achieved these views during the live event alone but by delving deeper in the data we found that most of the views for the video actually came on day 5 and 6 AFTER the live event - nevertheless whether organic or paid views, this still highlights how live video, when harnessed correctly, can be used to engage audiences.

The data for the Facebook 360 videos is based on global views and it is clear immediately that Travel & Tourism as a category is taking advantage of what 360 video has to offer with LATAM, Visit The USA and Discovery Networks featuring in the Top 5. It's still fairly early days for 360 video and none of the videos featured are particularly inspiring with the Discovery VR Atlas series probably the pick but again this highlights that audiences have a willingness to see something new and explore what 360 video has to offer. We believe there is a real opportunity for publishers and brands to push the boundaries in this area with the potential to really drive audience growth. 

On the Facebook video creators Top 5, Hebbar's Kitchen comes out top of Australian video creators table for September 2016. "Who?" we hear you say, based in Melbourne they are a type of a BuzzFeed Food of Indian cooking with loads of short, shareable recipes and videos and a massive 47 million+ views on Facebook alone in September, spicy!!

November 4, 2016

YouTube’s New End Screen Feature For Brands & Publishers

YouTube recently announced it is looking to faze out annotated end frames on videos and has introduced YouTube End Cards as a feature. Previously reserved for a select number of publishers and creators, the key benefit of End Screens is that they work across both mobile and desktop, whereas predecessor annotations work only on desktop. This is a step YouTube had to take given half of all YouTube users now access YouTube video on mobile.

So what are they? End Screens are overlays appearing at the end of videos which encourage viewers to take an action before the video completes, such as get more information, click to view another video, visit a website, subscribe to the channel and more. End Screens can appear in the last 5-20 seconds of a video, and desktop viewers can hover over them for more information while mobile audiences just need to tap on the thumbnails. YouTube has restricted use to up to four End Screens, as long as the video has a 16:9 aspect ratio. 

This makes End Screens a valuable feature for brands and publishers who take advantage of this important new feature.

If brands and publishers create quality videos that convince viewers to watch more content via the use of compelling End Screens, they can expect to see increased retention and watch time across their channels, thanks to the YouTube algorithm. Over time, this tactic can also increase overall video completion and watch time metrics notwithstanding the fact that the video creative still needs to do the main job of attracting and keeping viewers. 

With viewing across mobile being so high, the ability to encourage channel subscription and additional calls-to-action such as product purchase or visiting a specific (verified) website across both mobile and desktop traffic is significant.

The switch to End Cards does create a potential headache for existing publishers who have annotated end frames and want to switch to End Screens as the formatting is different and the placement restrictions of the thumbnails means previous end frames and calls-to-action are unlikely to match up and will need re-formatting.

Ongoing though, it is clear that any brand or publisher uploading video to their YouTube channel will now need to consider: 

  1.  How videos created can best utilise the updated End Screens format.
  2.  How to time video end frames to make the most use of the 5-20 seconds available on End Screens.
  3.  Check performance and metrics of end screens to see those performing best, be prepared to modify based on audience behaviour.

As the world's second biggest search engine and with the seemingly unstoppable rise of video consumption on mobile, a YouTube strategy is now near essential for most brands and publishers. With End Screens, brands and publishers can improve the experience on YouTube for mobile audiences, increase watch times, and drive specific actions from viewers. As such, brands and publishers should start using End Screens as soon as possible so they can reap the benefits of the feature sooner rather than later.

September 20, 2016

Top 5 Australian Video Creators – August 2016

The revolution that is occurring in video content proliferation and distribution is changing the way brands and publishers think about how they reach and engage audiences.

At Now We Collide we take a strategic approach to the role video content plays within the overall content ecosystem which helps to inform our creative teams and the production and distribution of video content.

Part of this approach uses data and analysis of video content trends and creative across multiple video platforms. We use multiple data sources to find and understand content trends, creators and publishers. One key source of insights comes from Now We Collide's partnership with Tubular Labs, the world's only cross-platform, all device, video data source. With in depth understanding of the software and data we are able to assess analytics across over 30 video platforms including YouTube, Facebook, Twitter, Instagram, Vine and Vimeo.

So - as part of a regular blog post series we'll be giving a sneak peak of just some of what we have access to by providing the top 5 video creators by audience views in Australia across the key video platforms.

September 20, 2016

Branded VR & 360 Video ‘Experience Is Believing’

We used to say seeing is believing.
Now we have to say ‘experiencing is believing’.

It seems about 1 in 5 briefs I work on at the moment have a VR component with an interest from brands and agencies looking to explore the possibilities of the immersive and engaging world of 360 video and virtual reality.

The next 18 months will be a telling time to see how audiences transition from standard video viewing to embrace VR and invest in a personal headset, closing themselves off from the real world to engage with the most immersive form of content.

For anyone that has put on the Samsung Gear VR, Vive of Oculus, there is usually a wow moment when you realise just how immersive and engaging the VR world can be. One thing is for certain we are just at the beginning of where the technology will lead us and it will be exciting to see what other AR/VR players like Magic Leap, Sony and Microsoft can bring to the table. Let’s just see if Apple will make a move in 2017/18. Let’s hope so.

We know that premium publishers and tech giants are getting on board with big investments - USA Today, the New York Times, and AOL are making big VR plays. Google is working on a VR version of Chrome. NBC and Samsung broadcasted the summer Olympics in VR. Hulu, Crackle, Jaunt, and Within already have dedicated apps, or “theaters,” where viewers can consume massive amounts of VR content. 

Other media powerhouses and film studios including Live Nation, Vice Media, 21st Century Fox, and the Walt Disney Company are placing big bets on VR with large-scale investments.

The NBA (National Basketball Association) has also started creating longer form VR experiences with its mind blowing VR production ‘Follow My Lead’ which tells the story of the 2016 NBA finals, taking audiences behind the scenes for an experience like no other.

Now more than ever we are seeing significant brand dollars being spent on VR experiences that prove that content innovation can lead to commercial investment, leaving audiences feeling inspired by the bravery and courage of a brand to do something different in the VR space.

Great example of a brand investing in VR 

One thing we know for sure, is that when you are inside a VR experience you are the most captive audience a brand can have and the experience you create needs to be compelling. There is no other form of media right now that is as immersive as a VR experience and brands need to take advantage.

The Numbers

Greenlight VR released results this week from its survey of 1,300 adults that found the majority of consumers—71 percent of them—feel that VR makes brands seem “forward-thinking and modern.” However, there’s even better news for brands’ bottom lines: 53 percent of respondents said they’d be more likely to purchase from a brand that uses VR than from one that doesn’t.

“We’re seeing specific VR activities have unique emotional footprints, offering fascinating insights for those who are considering their VR strategies,” Steve Marshall, svp of research and consulting for Greenlight VR, said in a statement announcing the findings.

Even those who have never experienced VR had good things to say about the technology, with 91 percent reporting positive feelings after watching an informational video about it. Among those who haven’t tried VR, 65 percent were interested, 32 percent were surprised at what it could do, 25 percent felt “happy” and 58 percent reported being “amazed.”

What is the perfect brand VR Experience?

It comes down to the brand objectives and how people will contextually be viewing the experience. When people are in groups with one person viewing a VR experience the viewer doesn’t want to feel trapped inside for too long (4-5mins max) and will want to share or talk about their experience soon after. When a viewer is alone with VR, the sky’s the limit, a viewer will stay engaged for longer and want to stay immersed.

 ‘Virtual reality by definition intensifies the impression of reality. All of the viewer’s senses are heightened including sight, sound, and motion; content that delivers fully immersive experiences will be in high demand.’ 

 This potential for VR storytelling will take branded entertainment to a whole new level. Imagine Apple showcasing its VR capable Iphone 8 (yet to be released) where viewers can take part in a Mars landing and film the experience in first person using features on the Iphone 8. Viewers could zoom into the phone to play with a realistic, 360-degree model of the device or even watch a video shot with that new device, thereby zooming into an entirely new storyline set on Mars.

 Production Value

 There are a number of aspects when considering the production value of producing VR or 360 video content.

 VR is not the same as 360 Video.

 While the two can be packaged up as a VR experience, there is a difference between the two. 360 video is effectively filming a real world environment with a 360 camera, which can be produced in 2D using a whole range of cameras from consumer to prosumer or in stereoscopic 3D using more high-end professional grade equipment.

 Once captured 360 video can have 3d, overlay graphic elements or interactive hotspots added to make the experience more engaging.

 A great example of a mixed live action 360 video shoot and 3D environment can be seen here with Google Spotlight Story Help:

Help uses a mix of studio, 3d and real world 360 video. This is of course a pretty amazing experience best viewed in VR and not desktop.
VR environments, games and stories that are completely virtual are created in 3D and compiled using software like Unity 3D or Unreal Engine.

2D vs 3D

 If done right, VR created as a 3D experience is always going to be more compelling, while 2D is a great way to create a high resolution experience and keep production costs down. Poorly implemented 3D x 360 video footage can cause a great deal of discomfort to the viewer including headaches, eye strain or nausea. With a 2D video, you’re getting more resolution out of the device because you’re not having to stack the left and right channels (or top and bottom channels) within the phone’s limited resolution. Oculus CTO John Carmack explains, “People that are resolution-picky will probably prefer monoscopic videos, which can have twice the resolution of stereo videos. The stereo effect may not be worth anything to you if you can't get past the blurring.”

How To Get Views?

Virtual reality viewing roughly falls into 3 categories. First is desktop and mobile video play with no headset (think Facebook or YouTube 360 native players). Next are expensive headsets tethered to a computer, aimed mostly at gamers, like the Oculus Rift or the HTC Vive. Finally there are mobile viewing experiences that combine with a smartphone, like Samsung's Gear VR or Google's Cardboard. 

Marketers need to think about how and when audiences will be viewing their content and ensure they are driving people to experience branded VR through a quality headset. This should be coupled with distribution of content to key VR publishers for optimal reach across platforms and devices. As with any type of video content distribution and seeding strategy is paramount.

August 25, 2016

#SecretLifeofMyPet Campaign Launches with Great Success



Universal Pictures Australia and Channel 7 Sunrise have kicked off a massive 4 week promotion for the upcoming animated film THE SECRET LIFE OF PETS.

In a unique and unprecedented promotion, the pair has joined forces with the film’s production company Illumination Entertainment to exclusively give one Australian pet the chance to be animated and featured in THE SECRET LIFE OF PETS 2.

It’s no secret or surprise that Australia has a deep and abiding love for pets. More than 63% of Australian households own a pet and more than 83% of Australians have owned a pet at some point in their life*.

 “The promotion taps into Australia’s love of pets and extraordinary interest in pet content, both viewing and sharing. As a country of proud pet owners, we love showing off our furry companions. Now, thanks to The Secret Life of Pets, we’re giving owners the ultimate prize with the chance to immortalise their pet on the big screen,” says Universal Pictures Australia Marketing Director, Suzanne Stretton-Brown.

Working with partner video content agency Now We Collide & UGC technology firm ShareRoot, the competition has been designed to maximise social sharing.

To win the money-can’t-buy prize, entrants are required to submit a photo or video showcasing their pet’s star quality. People can enter a video or photo of their pet at the dedicated website or via social with the hashtag #secretlifeofmypet on Instagram or Twitter.

The moderated submissions will be aggregated and then showcased in a gallery on the competition website.  The best 5 entries as voted by a Channel 7 Sunrise judging panel will go into a voting phase where Australia will vote for their favourite Australian pet.

We are set to receive a huge amount of UGC content through this campaign that will be used to extend and amplify the film release here in Australia. We’re expecting to see UGC video content drive a big proportion of entries. Says Now We Collides’ Head of Content Strategy Keir Maher. 

“This project is incredibly exciting as it’s one of the most unique and innovative uses of UGC we’ve ever seen. It’s watershed moment for UGC marketing,” CEO and co-founder of UGC marketing technology firm ShareRoot said.

The Secret Life of Pets opens in Australian cinemas on September 8 but has already broken box office records around the world.  In the U.S, the film became the biggest opening ever for an original film, animated or otherwise.

Entries for the SECRETLIFEOFMYPET competition close at midnight on Thursday September 1st. The Top 5 finalists will go into public voting from Monday September 5th where the pet with the most votes by midnight Friday September 9th will be awarded the major prize.

* (2013) Pet Ownership in Australia Summary, Animal Health Alliance


Channel Seven
Now We Collide

July 4, 2016

Now We Collide Partners with Tubular Labs

Now We Collide leverages Tubular’s actionable insights to win at online video.

Independent creative content agency Now We Collide, today announced a strategic partnership with Tubular Labs, the worldwide leader in online video intelligence.

The new partnership allows Now We Collide to build on its existing research and strategy offering by providing deep audience research to inform innovative content strategy.

Tubular Labs provides actionable insights based on analyzing over 1.6 billion videos and the engagement of over 400 million viewers across 29 platforms, including YouTube, Facebook, Twitter, Vine, Instagram, AOL and Yahoo.

It is the only online video intelligence platform that provides real-time cross-platform data and insights to brands, media companies and MCNs everywhere.

Through the Tubular platform, Now We Collide provides data analytics and insights for brands through influencer identification, audience and fan engagement analyses, and brand competitor analysis.

Now We Collide’s Managing Partner, Keir Maher said, “Tubular’s offering sets the benchmark in allowing us to understand exactly what is happening within the field of content across brands, publishers, content creators and influencers.  This means we can provide our clients with unique insights into how to attract and engage with audiences across the digital social web with meaningful data and optimised business outcomes. It also helps to inform our creative team in developing contagious content which will resonate with audiences.”

Tubular Lab’s Co-founder and VP of Business Development, Allison Stern added: “Tubular’s mission is to empower video teams everywhere with the right intelligence to win at online video.  Now We Collide is perfectly poised to use Tubular insights for better-informed content strategy, influencer identification, and media buying recommendations to its brand and agency clients.”


April 12, 2016

Facebook Instant Articles – An Instant, Long Term Success?

Facebook launched Instant Articles back in May 2015 but initially it was open only to a select few launch publishers as outlined in this article from Tech Crunch at the time of launch.

Today Facebook has opened Instant Articles to anyone who uses Facebook as "A new way for publishers to create fast, interactive articles on Facebook.". Designed and developed as a mobile first application available on IOS and Android it provides a fast and responsive way for publishers and brands to deliver a rich and immersive environment to view and interact with content.

This is exciting as it promises additional access for brands and publishers to realise the power and potential of video and content to connect and engage with audiences. The debate over whether Instant Articles will detract from a publishers 'owned' audience and content seems to have abated lately as Facebook have actively sought to collaborate and work with publishers however concerns still remain over the power Facebook is gaining over the digital ecosystem.

For brands, Instant Articles presents both an opportunity, in the form of increased content reach, awareness and creative potential, and a risk in the form of driving audiences to  owned assets, landing pages, conversions and in terms of organic vs paid no matter how rewarding your content is for audiences.

With a potential global audience of over 1.5 billion the opportunities for publishers and brands on Facebook are undeniable and time will tell how Instant Articles fits into this. As an independent content agency specializing in video we are excited to see continuing developments in technology and ways content can reach audiences and consider how this can be applied as part of a multi-platform approach to strategy and creativity.

March 1, 2016

3 Digital Opportunities for 2016: Digital Trends

Econsultancy have just released their 2016 Digital Trends Quarterly Briefing in association with Adobe. They always present some interesting reading and statistics on trends which are taking place across the digital landscape so we thought we would provide a digest and our take on what the key considerations are – in a sense we’ve done the reading of this 40 page document so you don’t have to (or to encourage you to!)

The 3 key opportunities as provided by the 7,000 marketing, e-commerce and digital professionals who participated in the survey are:

  1. Optimizing the customer experience
  2. Data driven marketing that focuses on the individual
  3. Creating compelling content for digital experiences

 Essentially, providing great customer experience is seen as the prime opportunity and provides the catalyst for data driven marketing and creating compelling content. This is good news because there are still many Australian and international brands who are yet to show evidence that they are realizing this opportunity – is 2016 the year that this shift happens?

It is well documented that people have moved from being passive toward active and participation based consumers – actively researching, viewing, curating, creating and sharing content across the digital social web. Content has become the currency to drive awareness, consideration and engage customers. The use of data to understand who your customers are and how they are interacting with the brand, services or product is essential to informing the content strategy and creative.           

Within this, targeting and personalization are seen as areas which have swiftly moved to the top of the priority list to enable consumers to enjoy the best possible experience. This is evident by the top 2 responses provided when asked “Most exciting opportunity – 2016 vs ‘five years’ time’”

 Source: Econsultancy / Adobe Quarterly Digital Intelligence Briefing - January 2016

The constant evaluation and changes required in infrastructure to take advantage of innovation and the opportunities it creates is seen as an area where companies have made limited progress. Having the infrastructure and people in place to make sense of the data available is only occurring in 37% of organizations. Commentary in the report states “A good CX (Customer Experience) requires the linking of technology, data and teams so that experiences are consistent and seamless, and requires a culture and organization that reflects the fifth stage in Econsultancy’s digital maturity model10 ; a fully integrated structure.

This is important as the emergence of data as a priority for marketing is by far ranked as the most important element for an organisation’s success. Here’s the conundrum, as the report states “Accessing, defining and using customer data is one of the most difficult challenges faced by the modern marketing organization”

When examining how respondents prioritize their efforts over the medium term future, the first order of business is to bring together technology, process and talent in ways to create a seamless, consistent and valuable experience. There’s a bit of marketing buzzword bingo there but it is still interesting that many companies are really grappling with the day-to-day implementation of these principles. In this respect the most important priority in the findings is "Optimizing the customer journey across multiple touch points” – 70% and next “Ensuring consistency of message across channels” – 63%. The insight for us here is that this will require massive collaboration, both within organizations where multiple departments and stakeholders have responsibility and critically, across external agency partners.

The report then looks at the role of creativity in the face of all this technological change and data availability. Creativity is seen as a key influencer of business success with companies fostering creativity enjoying greater market share by a factor of 1.5 when compared to their less creative counterparts according to a Forrester / Adobe study. The insight here being that agile creation of ideas is only possible if there’s a connected approach to strategy and creative.  This point is made when the report quotes Jarek Ziebinski of Leo Burnett  “pulling meaningful, actionable insights from your data and using those to drive the creative process and in turn elevate business results might become one of the most efficient approaches to modern marketing.”, well said.

Interesting then that according to the report, when it comes to planning and execution, only 16% of respondents agreed with the statement “Digital permeates all our marketing programs.”. It seems the power of digitally based marketing to provide data is still a double edged sword where the ability to clearly measure ROI around digital content means that if marketers do not have the resources to measure it then they are reluctant to pursue it (and can we guess that they will often stick to the un-measurable analogue based status-quo approach??).         

So we can see that marketers (and assuming businesses) understand the need for continued change, driven by the way customers have changed their habits and the way they now demand more from the services, brands and products they purchase. The customer experience is all-important and achieving this through understanding data and applying this throughout marketing to provide a more personalized approach to communication and content. As an independent video content agency  90% of all internet traffic predicted to be video related by 2019 according to Cisco, the ability to integrate video into the content ecosystem will become critical. That’s the opportunity for 2016, there are some businesses who are already doing it really well but for the majority there’s work to be done.

December 22, 2015

3 Rules For Publishers Embracing The Video Revolution

The power of video to inform, educate, entertain and engage is now well established.

 Some recent statistics highlight this:

1. Video equals higher viewer retention. The information retained in one minute of online video is equal to about 1.8 million written words. (Source: Brainshark)
2. Video attracts two to three times as many monthly visitors to a site and doubles their time spent on the site and has a157% increase in organic traffic from search engines. (Source: MarketingSherpa)
3. Blog posts incorporating video attract three times as many inbound links as blog posts without video. (Source: SEOmoz
4. Of the 80% of internet users who watched a video ad, 46% took some sort of action after viewing the ad. (Source: Video Brewery)

The availability of video is now almost universal: YouTube alone has over 1 billion users uploading over 300 hours of video every minute. The number of hours per month that people are consuming on their platform is up 50% in 2015 compared to last year. By 2019 90% of all online activity will be related to video consumption – this is truly the video age.

Consumers have led the video revolution - the fact is people want to consume information via video more and more. Publishers need to develop a video content strategy which provides insights into how video can positively impact both their existing print and digital content platform and enhance their audience experience whilst also providing additional opportunities for their commercial partners to associate with the wealth of content available.
Advertisers will follow consumers and their behavior has definitely shifted towards video viewing, participation and sharing.

Recent changes by FacebookInstagramSnapchat and Twitter have introduced new video based viewing and social sharing features bringing social video into the mainstream and into our hands via mobile.

With access to numerous platforms offering video content solutions and the ability to create their own branded video content destination on the web, advertisers and agencies have more options than ever to connect with audiences through video.

This change will only continue at an even faster pace, as technology becomes an enabler and consumer habits change.


Whilst video is not the be-all-and-end-all for publishers, they must now have a plan for how to integrate and use video for the benefit of their subscribers, audiences and commercial partners.
Creating video content to support and enhance a publishers' core assets and capabilities is now seen as essential in a world where the digital social web and technology have made access to video content ubiquitous. 
Combining in-house publishing capabilities with a specialist video agency partner to provide new skills, expertise and on-going support is one way that publishers can utilize existing resources to quickly establish meaningful video content. For others, new working environments, management and compensation structures may be needed to attract and retain this new kind of talent. Here are 3 things publishers embarking on integrating video content as part of their overall strategy need to get right:


First define how, when and why you are creating content. What are the KPI’s and how will success be measured. The video content strategy is a plan to provide a clear understanding of your current situation, revealing your goals, monitoring your progress, measuring your success and outlining the rewards.

It is also very important that the strategy informs the creative approach to video production values to ensure consistency with the publisher’s brand, tone of voice, positioning and values. This seems like a given but there are numerous examples of videos being incompatible with a corresponding publisher assets, magazine and/or digital publication. This relies on publishers, editors, writers, marketers and external partners working as a team to ensure the video produced integrates seamlessly with the written word and visuals of the publication.

Assessing how the video content strategy aligns with overall business objectives is key to success. Is the objective to build brand awareness or affinity? To increase readership or get subscribers? What media types and channels are most appropriate to achieve the prescribed goals?  All subsequent decisions—about tools, partners, and technologies—will flow subsequently from this essential content strategy.

For traditional publishers to effectively incorporate video content publishing as part of their brand ecosytem, measurement also needs to be considered. Traditional metrics such as impressions and click through rates matter less, while publishing metrics such as views, unique visitors, repeat visitors, video completions and time spent begin to matter more. Social metrics, such as likes, shares, comments, volume of traffic from social media channels, and share of voice also take on increased importance.


The are opportunities to produce video around the existing publisher content genres and ‘tent-pole’ articles or initiatives that are generating interest, online traffic, comments or views. Magazine and print publishers are in the enviable position that they have a wealth of written and visual content and an existing and connected audience. The key is to produce regularly and consistently.

Within existing content pillars for publishers, say food or motoring or finance, it is possible to develop a consistent approach to a video content calendar – providing consumer based video of a regular tactical nature based on relevant ‘news-worthy’ events or stories – this can include content such as filming regular seasonal recipes, new car reviews or journalistic video that reports and/or highlights relevant topical stories, seasonal recipes.

This can be interwoven with or used to supplement and support pre-defined content themes or arcs in-line with published articles. This content is likely to be longer form with more in-depth story led, informative or entertaining content and more thoroughly planned and produced. This is where audiences engage and connect with the brand and it’s values at a deeper level.


Video content can add tangible value to an organization but it needs regular maintenance and care. Flexibility in this environment is as important as streamlining production and approval workflows. Online video content creation, like other digital endeavors, requires optimization. Rapid testing, learning and publishing on a continuous basis are all signs of success. Creating an infrastructure that supports and produces video content on an ongoing basis means that publishers need to strive for a flexible, adaptable content culture which embraces new ways to entice audiences to interact with content. 

November 8, 2015

5 Best Practices For Native Mobile Video Campaigns

Here at Now We Collide we work with a lot of brands looking to engage with customers and build a broader fan base with meaningful and relevant content. Mobile video is often a great way to do this as we consume more and more video online via mobile through Facebook, Instagram, Snapchat and other big native players and publishers.

Here are 5 steps from a recent study from comScore with recommendations on best best practice

Hook the viewer quickly: You’ve got two or three seconds to grab the viewer’s attention before they scroll by.

Come in close. Engaging the viewer demands special video editing. Use close-ups, quick cuts, interesting imagery, and strong point-of-view angles.

Go big. On-screen text showing product info needs to be clear and large.

The silent treatment. Viewers probably have their devices on mute, so develop creative that works with no sound.

Tell them what to do. Include a simple call-to-action or a compelling offer at the end of the video. Use the same message in the text around the native video ad unit.

“Native mobile video campaigns not only work but can be especially effective when following creative best practices,” says Andrew Lipsman, vice president of marketing and insights at ComScore.

“It’s important for brands to make an impression quickly and engage with the consumer on a more visual level to drive campaign success.”

While this all may be true for native video formats, the same can be said for mobile video campaigns in general. They are good rules to follow. What do you think? Please feel free to leave your comments below.

Download the full study for free (registration required) and view the best practices video below to see effective examples of the five tips above.

October 27, 2015

ESPN Brand Campaign – Making Of

We partnered with ESPN to develop a new video led branding campaign in a move to cement growing interest in U.S. and international sports among a younger Aussie male audience.

Watch the short documentary about how it all came together.

The video content created merges pivotal sporting moments from the world of NBA, American Football and X Games with murals drawn by graffiti artist Sofles. The time-lapsed amalgamation of sports and street art created social buzz among the 18 to 34-year-old demographic and prompted them to share the content across their networks.

ESPN Marketing Manager, John Webb told Mumbrella “It’s one thing to make a great TV commercial that we can run on our own platforms but we wanted to build something that will become shareable, that strikes gold and potentially goes viral.” he said. The video quickly became the most viewed and shared across ESPN Aust/NZ social networks drawing massive social reach and advocacy.

“We wanted to design a campaign that goes beyond our hardcore fan based and hit those casual fans who are on the fringes who we want to bring more into the network."

“Using Now We Collide and Sofles was the perfect way to design something that we could use on Instagram and Facebook and would go out to Twitter and hit the demographic that are congregating on those platforms.” - John Webb.

October 21, 2015

Facebook Is Building Their Own YouTube

Facebook have been realising the power of video for some time with just about every timeline including an abundance of snackable but often irreverent and/or irrelevant content for the viewer. With this growth and this realisation they have invested in the development of a new video hub that will look and work much like Youtube, but have one huge advantage, the content you see will now actually be based on your likes, interests and browsing habits.

Here is more from

Facebook revealed a sneak peek of their own video platform within Facebook. Unlike YouTube, which relies on search and users seeking out specific videos), Facebook is doubling-down on showing you videos that you didn’t even know you wanted to see, or knew existed. You’ll see video content from friends, pages you follow, posts you Like, and beyond.

Facebook encouraged more video content from publishers, creators, and advertisers beginning a few years ago, and this new video hub seems to be a massive culmination of their encouragement and longer vision. With this new video destination, Facebook recently updated its newsfeed algorithms to consider the types of videos you watch, the ones your friends watch, how many videos you watch, and for how long.

A dedicated space on Facebook just for videos:

Facebook will allow you to easily save videos in this new hub, a feature that technically exists now, but your saved videos will better integrate into your Facebook experience, making it easier to go back to that saved content.

A section of Facebook dedicated to videos will result in people spending more time on Facebook, naturally. More content means more time, especially if Facebook is able to take your friends, Likes, pages, and interests to better serve you relevant content.

For small and medium businesses, this is an important feature to consider. There’s a good chance your customers and fans will soon spend more time on Facebook, meaning the content and messaging you push on Facebook becomes more important. Facebook saw over 4 billion video views every day in April of this year, and it’s clear that they know which videos you’ll enjoy. Once this video destination is live for everyone, that daily view number might skyrocket, and the comparisons of Facebook and YouTube might begin to sway more and more in Zuck’s favor.


This feature has been rolled out for most people with Facebook on iOS, and Android is coming over the next few months. Suggested videos is a way for Facebook to keep you engaged with videos for longer periods of time. You’ll see more videos with similar content determined by the source or publisher. For example if your roommate posts a video, and you engage with it, there’s a strong chance you’ll see more content from your roommate, or perhaps a mutual friend’s video. If you interact with a video from Nike, you might see more content around sports, apparel, and athletes.

Facebook will offer a 55-to-45 revenue split of video ads, with 55% going to the publisher of the content. However, in order to claim this 55%, you must be an official partner with Facebook, so don’t get too excited until you become one. Facebook’s next step within suggested videos will be ads between videos to generate sales for both Facebook and the advertiser. A win-win for all, more or less.

Click here to watch the related video from Facebook

October 11, 2015

Reddit Gets Upvoted

Community based social aggregator Reddit (see Mashables' Beginners Guide), renowned for it’s democratic approach to content and what’s popular on the net has launched Upvoted as a way for people to find the best of Reddit content. Reddit is credited with launching some of the biggest viral videos around and the idea is that the Upvoted editorial team will profile the best of Reddits' videos, infographics, illustrations, and podcasts and present them on a dedicated advertiser friendly website.

More details from Wired.

August 27, 2015

360 Video On The Rise

360 video is quickly moving from niche to mainstream as both YouTube and Facebook are taking it the masses. You may have noticed that YouTube has added 360 video as a main navigation in there Channels list while Facebook have teamed up with the little company they bought for $2bn last year, Oculous Rift, to introduce 360 to the Facebook Newsfeed. If you haven't seen some of the recent awesome examples check them out - Facebook: Star Wars: The Force Awakens Immersive 360 & GoPro Spherical: Sand Dune Jumping in VR with Ronnie Renner. More to come from the team at Now We Collide on this soon...

August 8, 2015

Buzzfeed Video Domination

As anyone in advertising and marketing already knows, video consumption is on a meteoric rise. Audiences are viewing and sharing more video content than ever before. The offshoot of this increase is a huge opportunity for brands to target audiences and consumers with relevant and meaningful content, and with screens providing larger and clearer resolution, it seems mobile is where it's at right now.

At Now We Collide, we have seen the impact a simple Facebook video strategy and good creative can do first hand. Our OxKing Minions video has generated over 1.3m views and 35k likes in less than a week.

One online publishing phenomenon is Buzzfeed making big waves with video content. With its insanely engaging content such as listicles, and quizzes, being shared by millions, it was inevitable that it would embrace video in a way never seen before. Created as a 'viral lab' back in 2006, it began by summarizing online trends and producing content around them. The brand now publishes around 700+ different items of content everyday across 25+ different categories such as news, beauty, tech, and food, and has established itself as a site that incorporates investigative journalism, and current affairs analysis, alongside some of the most buzzworthy articles on the internet.

Using Tubular data we are able to take a deep-dive into the cross-platform video strategy of the brand and take a look at just how well video is working for it. But first, did you know the following?


5 of the top 20 most watched videos in the past 90 days belong to Buzzfeed properties

Buzzfeed's top 5 videos of all time are about food (2 just about pizza!)

Food is by far the most popular content for video uploads to Facebook

Pop culture, sex, and lifestyle content does well on other video platforms

The brand has more views from YouTube but more engagement from Facebook

Most engaged Buzzfeed video is 'S'mores Dip' with 4.2 million shares, likes & comments

161 videos have generated 10M+ views for Buzzfeed

Only 5% of video views come from itself


Buzzfeed has around 30 different video properties across the main social video sites, as well as AOL, Yahoo, and Dailymotion, and other video platforms. This syndication is critically important to the company, who confirmed earlier this year that only around5% of video views come from itself.

To date, the majority of the brand's combined video content has been uploaded to YouTube (46%) compared to Facebook, (37%) and Vine and Instagram (17%). Given that more content has been uploaded to YouTube it's unsurprising that videos on that platform have generated more views for Buzzfeed properties (8.2 billion or 53%) than views from Facebook (6.8 billion or 45%).However, Facebook generates the most engagement for the properties with 61% of total shares, likes, and comments compared to 38% for YouTube.

In the past 12 months, of all the four main social video platforms, it's Facebook that is driving the most engagement to Buzzfeed video content. The graph below shows Facebook engagements in blue, with YouTube in red.


YouTube is the world's largest video site, and the second largest search engin,  so it forms a core part of Buzzfeed's publication and distribution strategy. Its flagship channel, Buzzfeed Video has 7.3M subscribers, and you can add around another 9M subscribers for the other branded channels on the site.

In the last 12 months, under the umbrella of Buzzfeed Motion Pictures, the company has uploaded 2,760 videos to YouTube (an average of 53 a week), which have generated a combined 6.5B views, and 100M engagements. Buzzfeed's all-time view count on YouTube is 8.2B, so you can see that the overwhelming majority of these views have been generated in just this past 12 months. Buzzfeed's most popular upload to YouTube is 'If Disney Princes Were Real', uploaded to the Buzzfeed Video channel in September 2014. To date, it has generated 40.1M views, and 461K likes, comments, and shares.


Buzzfeed has uploaded 3,103 videos to Facebook in the past 12 months, which is an average of 60 per week, a slightly higher rate than uploads to YouTube. It also represents a 122% increase in uploads to the social networking site compared to the previous 12 months. In fact, there have been more videos uploaded in the last 12 months than the average all-time upload rate which strongly suggests Buzzfeed are capitalizing on the high engagement rate.

In last 12 months, Facebook uploads have had an average view rate of 2.2 million, and Buzzfeed's programming strategy for Facebook video seems to be paying huge dividends for the brand. Ze Frank, President of BuzzFeed Motion Pictures, confirmed earlier this year that Facebook has been “very, very significant" as a traffic generator, and that:

“Facebook’s decision to lean into autoplay has really fundamentally changed the way we think about the first five seconds of content”.

In terms of content, food and drink is by far and away the most popular topic uploaded to Facebook by Buzzfeed properties, and Buzzfeed Video and Buzzfeed Food are the top pages on the site in terms of views and engagement. Both of these accounts upload food-related content, but while Buzzfeed Video is also active on YouTube, Buzzfeed Food has found a natural home on Facebook and is clearly focused on growing its reach and influence even further.


From the very start, Buzzfeed rejected the traditional content distribution approach in favor of a social-sharing strategy. Founder Jonah Peretti understood that with millions of people online during work hours, any content that relieved the boredom was going to be a hit. The so-called “Bored at Work Network” publishing strategy targets workers looking to pass their time on social media, and whose enthusiastic consuming or sharing of content can make a post or a video go viral in hours.

But Buzzfeed went even further in a bid to make its content the most shareable on the web. It started using posts and videos as a communication tool, and not just as content filler. When Jonathan Perelman, then BuzzFeed’s GM of Video & VP of Agency Strategy, spoke at the 2014 ReelSummit, he shared the brand's magic formula for video content marketing, and confirmed that consumers share video content for 5 main reasons:

To be social

To express how they are feeling about a particular topic

To show off, or humble-brag

To prove they were the first ones to find something

To make friends and colleagues laugh

However, Buzzfeed also creates video that helps form a shared experience for the viewer. We all love being part of a community, and identifying with fellow participants, whether that's bonding over a love of milkshakes, or remembering what it was like to go to school in Ohio in the 80's, or any other number of subjects we can all relate to.

Social media is the perfect vehicle for building communities around people, and Buzzfeed has implemented one of the strongest social strategies around its video content we've ever seen to reach as many potential community members as possible. You may not be a regular Buzzfeed reader, but the chances are at least one piece of content will have resonated with you based on your some aspect of your life - whether that's how much you dread work, your relationship status, your food preferences, or whether you are a cat, dog, or gerbil person. Buzzfeed has made sure of it, believe me.

How? The publisher uses an algorithm called 'ViralRank' within its purpose-built Social Dashboard to determine what content is being shared across social media in real-time. It can then optimize the promotion of that video or post to increase its reach even further. This data can also determine the kind of content that readers and viewers engage with, which in turn feeds into future programming strategies. Perelman also confirmed that Buzzfeed produces video content around three main types of data-driven intent: emotional gift, information, and identity:

Emotional Gift Videos: This type of video is created to tap into the wide range of human emotions. A Buzzfeed video should be able to change the viewers mood from a sad one to a happy one, or an interested one, and give them some relief from the relentless bad news that floods the Internet every day. These types of videos are created to make the viewer feel something, because if a certain emotional reaction is triggered, the viewer is more likely to share. Great examples of this type of content from Buzzfeed video includes 'Giant Men Meet Tiny Kittens' or 'Adults Try Public School Lunches':

Informational Videos: These videos try to present information in a new, or a quirky way. Perelman stated to never underestimate the power of the viewer to resonate with content if they already know something about a topic, but were willing to learn more if it was presented in an entertaining way. Also, Buzzfeed has determined that these type of videos make for great sharing among communities and friends and family, particularly if they help to prove or disprove an argument. An excellent example of a great informational, and highly shareable video, is '12 Food Facts You Won't Believe Are True'.

Videos Viewers Can Identify With: Viewers want to identify as something, to belong to a community or group that defines who they are, and what they believe in. Video content created around this intent does extremely well for Buzzfeed as it's highly shareable. Perfect examples include 'Walking With Tall People #ShortPeopleProblems' and 'Things You Didn't Realize Everyone Does'.


Buzzfeed is a unique publishing house, grown from scratch with custom-built in-house systems that identify what content will do well, where it will do well, and how likely are viewers and readers to share it across their own social networks. It's a powerhouse and has access to infinitely more resources than the average video creator or brand. But, there are some strategies that we can can all learn from. Buzzfeed does the following extraordinarily well:

#1 An Effective Multi-platform Video Strategy: If a social or video platform is active and drawing a substantial audience, then Buzzfeed will have at least one, but more likely several, channels or accounts. But, the brand doesn't just upload the same video to different sites, it identifies its target demographic and where they are most likely to engage, and uploads content where it's going to be shared. There's a reason that Buzzfeed Food is blowing up on Facebook and not YouTube, and why Buzzfeed creates the kind of foodie content it does to match the audience of any given platform. Yes, it takes time and resources to create across-platform video strategy, but you need to be where the audience is, and understand how they are going to interact with your content.

#2 Consistent and Pro-active Social Sharing/Cross-Promotion: Buzzfeed makes video content to be shared, not consumed, and it will cross-promote content from different properties everywhere it thinks it will work. Unlike many big brands - and other publishers - Buzzfeed creators and social teams do not work in a silo. Their in-house algorithmic software confirms what's blowing up on social and will do what they can to squeeze as much engagement out of the videos as possible. The brand understands that not everyone is going to sign up to every social media account they run, so a fairly large chunk of viewers may miss the latest upload. By sharing videos across social media accounts, Buzzfeed ensures that as many eyeballs as possible get to see them.

#3 Created a Trusted Brand: Viewers have grown to trust Buzzfeed's video content, and that's one reason why they are so willing to share. There's nothing to scare the horses - and if there is, Buzzfeed will slap on a NSFW label so viewers know exactly who they can share with without embarrassment.

#4 Creates Strong Tentpole Content: I'd have to spend a few days more than it took to write this article to find out if there is a topic that Buzzfeed Video hasn't at least touched on when it comes to tent-pole content. It has produced videos around everything from 'Back to School', Halloween, Super Bowl, National Dog Day, Valentine's Day, Christmas, and all points in-between. If it's a cause for celebration or a landmark event, Buzzfeed will think of an angle and create some killer content around it.

#5 Enticing Titles and Thumbnails: Viewers are fickle and will spend just a few seconds to decide whether they will watch a video, or scroll on by. Much like a first date, brands and creators only have one chance to entice that viewer to click, and a winning title, and compelling thumbnail are your two main weapons in the battle for views. Buzzfeed excel at both.

#6 Sticks With a Winning Formula: The 'X tries X Food' series has been a phenomenal success for Buzzfeed, and as the topic seems to be a bottomless well in terms of ideas, we can expect more of the same. And why not, it works, it taps into that 'community' spirit that gets viewers to share, it's engaging, and educational, but most of all, it's incredibly entertaining.

#7 Tests a Range of Video Content: The beauty of having a multi-video platform strategy (and a huge production team, and an in-house team of data analysts) is the capacity to test what content works where, why it works, or doesn't, and how to increase upon success. Your Facebook audience may differ so much from your YouTube one that posting to Facebook is a non-starter. But without consistent testing, you'll never know.

#8 Branded Video Collaborations: Buzzfeed's first foray into branded collaboration was this video for GE, and since then it has created sponsored video content for Intel, Carl's Jr, Johnson & Johnson, Virgin Mobile, YouTube, Purina, and other brands. Buzzfeed's unique influence across different demographics enables brands to reach new target audiences via engaging, compelling, and authentic content that's highly likely to get shared.

Purina's 'A Cat's Guide To Taking Care Of Your Human' was uploaded to Buzzfeed Video's own YouTube channel where it generated 9.2M views, and 540K likes, shares, and comments.


Buzzfeed has created a video production, distribution, and social sharing juggernaut and we have a feeling that really, this is just the beginning. Buzzfeed Motion Pictures employs around 200 people, making the Hollywood based team one of the largest original content creators in the online video space. It produces around 50 pieces of video content a week, and is creating short-form, mid-length, and long-form content not only for its own properties, but with major industry collaborators.

BuzzFeed CEO Peretti has made it clear that he wants to extend the brand's reach to TV and film, and with a recent $200M cash injection fromNBCUniversal, the Comcast owned TV and film giant, we can expect to seeBuzzfeed content make its mark beyond the Internet.